For Aunt Shay (1924-2015), sculptress, and her bronze lamb.
Tuesday, May 20, 2025
Wednesday, January 22, 2025
AMOR FATI AND THE GOLDEN FLOWER
Amor Fati and the Golden Flower
12 inch diameter
Cotton threads and glass beads
On linen
Ouroborus
Hurricane
ODE TO FATE AND LOVE
Round bellied laughing luminous
soul
How alive you sing
Through with and of
Fate’s reckoning
That never grips but
Opens doors to your house
And sanctifies who you are and
why.
Round bellied crying robust soul
How sparkling your tears
Splash above and below
Fate’s pillar
That never falters but
Strengthens the roof of your
house
And protects who you are and why.
Round bellied Buddha Goddess soul
How holy your riches
Shower away and toward
Fate’s spring
That never floods but
Washes the windows of your house
And gives sight to who you are
and why.
Round bellied wonder warrior soul
How strong your center
Holds out and in
Fate’s womb
That never abandons but
Moves to the bedchamber of your
house
And gives dreams of who you are
and why.
Round bellied eternal feminine
soul
How numinous your aura
Breathes invisible and tangible
Fate’s mystery
Whose unknown never frightens but
Travels from your house to garden
And plants seeds for who you are
and why.
O Round bellied cherub infant
soul
How golden the birth
Heralds to and from
Fate’s cradle
Whose promise never rocks but
Stills the Earth and heavens
And gives reason to who you are
and why.
Wednesday, October 9, 2024
Hurricane Milton embroidery posts
These mandalas, stitched in 2024, I post as Hurricane Milton increases its roar where I live in Florida. Thankfully, I could post the below before loss of power.
My only question is, "Why Milton?" And so I rename this powerful storm, "Sophia."
SHE knows what she is doing.
STRAWBERRIES, BEES, AND LITTLE BOAS
12" diameter
cotton threads on linen
EVE AND THE ACCEPTABLE FRUIT
AND UNION OF THE OPPOSITES
This poem written in La Calmette as a "global warming" storm impacted my hamlet in the French Pyrenees.
FROM GOSPEL OF THE CELLS
HerRage repressed
Could hold no more.
Detonating heavens roared.
She flashed,
Crashing waves from above;
Madness pounding
The
Sheets of tears released,
Funneling
gullies;
Anguish
Drenching
The Earth’s floor.
“No more!” She wept,
“No more
War.”
Shakedowns from branches
Stoned the forest path.
Winds screamed,
“Dead plums in the night!”
Breakdowns of stalks
Swept to swollen rivers.
Downpour roared,
“Corn rotted to the roots!”
All this—
The torrent of HerWrath,
Her truth.
I heard the peasant say it in a
dream,
C’est le déluge du Nature,
Notre Terre, Notre
Mère.
And in those corner rooms
Behind locked shutters,
Children huddled lost
From a lost summer.
Flickering lights from their T.V.
Speckled shadows on their faces
While night storms raged—
The bolts of Her electric madness
Swallowed shadows on the square
And children in the arms
Of their bewildered mothers
Sniffled, Maman, pourquoi?
We are silent.
The farmers, the students, the teachers;
The mothers; the fathers,
The leaders, the followers;
The ignorant, the wise.
Gnostics, agnostics,
The faithful, the knowing;
The poet, the madman, the thief.
We are stunned, we are silent;
Such is the pressure
Of our unacknowledged grief.
But yes, we know why.
Somewhere in the linings
Of our storm clouds
We know Her—
The greatEarth,
The reception of our deaths and
births,
The chalice of our ashes and our
bones,
The breast from which food flows;
The quencher of our thirst
The glory for our eyes
The music to our ears
The reverence to our nature;
Our fear,
The fear.
Oh Mother!
We shudder
In Her first light to the last
(The dawn of our resurrection
The dusk of our end)
So that we may begin again—
If only through her benevolence—
The only Mother of us all
The one Mother of us all
In whom we are born to trust.
The One we have betrayed.
And now Her torrential rage,
Held in HerBelly
Since her molecules were split
And before
And before
And before
Since we crucified her Myth,
Now is HerStorm
And our alarm.
How long has she waited for our
Confession, our amends?
Where is our shame?
Shall we repent?
Or be drowned in her unceasing
rains?
The poet kneels before her Mass
A piece of dust, an ash
While roots are washed
Away from home
As HerGroans
Rumble
Like a fever
breaking
Into the lost summer of our Age
Rumbling
On and on and on
Her holy
holy
rage.
Wednesday, January 31, 2024
"BLUE"
“Blue”
Cotton, metallic threads, pearls, glass beads on antique linen.
Image: 30 inch diameter.
What emerged from a blue time, a pressing-down time and 560 hours of tiny stitches?
Left: Earth, Fire
Right: Water,, Wind
Doves crying at the moon
Flying doves heralding…
And then,
Les hirondelles , les
petite filles d’air—
O swallows, little daughters of the air—
Holding in their beaks pearly omphali
And the new white thread
Circling
Protecting
Containing
Our “blue” planet.
Sunday, June 18, 2023
THE TENSIONS OF THE OPPOSITES
The conflict between the opposites can strain the psyche to the breaking point, if we take them seriously or if they take us seriously…if all goes well the solution, seemingly of its own accord, appears out of nature. Then and then only it is convincing. It is felt as “grace.”
…it represents the result of the joint labors of consciousness and the unconscious and attains the likeness of the God image in the form of the mandala, which is probably the simplest model of a concept of wholeness.
…The clash, which is at first of a purely personal nature, is soon followed by the insight that the subjective conflict is only a single instance of the universal conflict of opposites. Our psyche is set up in accord with the structure of the universe, and what happens in the macrocosm likewise happens in the infinitesimal and most subjective reaches of the psyche…
...I am thinking here of the simplest basic form of the mandala, the circle, and the simplest (mental) division of the circle, the quadrant or, as the as may be, the cross.
C.G. Jung, Memories,
Dreams, Reflections (Late Thoughts), pages 335-336.
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